Chat Pile + Agriculture

Bild- und Textquelle: Landstreicher Konzerte

Agriculture

A Los Angeles black metal quartet redefining the genre's boundaries with ecstatic subversion. Formed from jam sessions between Kern Haug and Daniel Meyer, the band evolved into a celebration of human experience through heavy music. With veteran guitarist Richard Chowenhill and bassist/vocalist Leah Levinson on board, their 2022 debut EP, "The Circle Chant," marked the genesis of their "ecstatic black metal" sound. Their self-titled LP delves deeper into themes of self-acceptance, identity, and communion with nature. Through soaring tremolos, celebratory vocals, and meditative passages, Agriculture's music becomes both an artistic statement and a transcendental journey.

Chat Pile

Oklahoma City noise rock quartet Chat Pile have returned with their follow up to 2022's breakout album God's Country with Cool World, the new 10-song LP set for release on October 11th via The Flenser.

Besides being the name of a largely forgotten (and panned) 90s film, Cool World makes for an apt title of Chat Pile’s sophomore full-length record. In the context of a Chat Pile record, the words are steeped in a grim double entendre that not only evokes imagery of a dying planet but a progression from the band’s previous work, moving the scope of its depiction of modern malaise from just “God’s Country” to the entirety of humankind. “'Cool World' covers similar themes to our last album, except now exploded from a micro to macro scale, with thoughts specifically about disasters abroad, at home, and how they affect one another,” says vocalist Raygun Busch. “If I had to describe the album in one sentence,” Busch continues, “It’s hard not to borrow from Voltaire, so I won’t resist – 'Cool World' is about the price at which we eat sugar in America.”Like the towering mounds of toxic waste, the music of Chat Pile is a suffocating, grotesque embodiment of the existential anguish that has defined the 21st Century. It figures that a band with this abrasive, unrelenting, and outlandish of a sound has stuck as strong of a chord as it has. Dread has replaced the American dream, and Chat Pile’s music is a poignant reminder of that shift – a portrait of an American rock band molded by a society defined by its cold and cruel power systems.